by Josh Langston
Most of us have had moments in our lives when something bad happened. The scale of “bad” is incredibly broad. It stretches from forgettable to life-changing and covers a staggering array of situations, actions, reactions, and consequences. For memoir writers, there’s a strong temptation to downplay if not ignore such episodes. Doing so, however, creates a false narrative, a snapshot of a moment the way it “should” have been, rather than one which depicts what actually happened.
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