I like the bare minimum in my outline. I usually write a paragraph on the three acts I break it into and then as I go along, I write notes as to what may happen in the next chapter.
Do you write with an outline? I was asked this by another writer at a book event last weekend. ‘I like outlines,’ she said, ‘and I don’t like them. I want to know where I’m going. But if I make a scene-by-scene breakdown, I find I’m not interested in writing the complete book.’
I thought it was worth a post.
Because I believe outlines don’t have to kill your interest in the book.
You could try the barest possible directions – an opening, a pivotal middle and a surprising but elegant solution at the end. Those three markers might be enough to keep you on piste and still let you explore.
Certainly I’m not a person who can tolerate boredom or predictability. If a writing session hasn’t confounded my expectations in some way, I’m disappointed. Yet I’m a fan of detailed outlines. Indeed, I find they don’t stultify or…
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