Most of us like to think we have some control over our lives. Even though we may know intellectually that we can’t always control what happens, we want to feel that we can. That’s part of why it can be so unsettling when we decide to share our lives with someone. In doing that, we give up some of the control we’ve had over our what we do.
Feeling as though you’re losing control (or no longer have it) can be scary, and in a story, it can cause tension and suspense. So, it’s no surprise that it happens as often as it does in crime fiction. It can add a lot to a story.
In Agatha Christie’s The Hollow (AKA Murder After Hours), for instance, Harley Street specialist Dr. John Christow is comfortably married, with two children. His wife, Gerda, looks up to him and is completely devoted…
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